Copy and paste from the following data to produce each assessment task. Write these in plain English and spell out how, when and where the task is to be carried out, under what conditions, and what resources are needed. Include guidelines about how well the candidate has to perform a task for it to be judged satisfactory.
Required skills
communication, teamwork and organisational skills to:
respond appropriately to constructive feedback on own performance
respond appropriately to directions during auditions
present confidently in an audition situation
learning skills necessary for improving performance skills through practice
listening skills to monitor and adjust performance as required
literacy skills to interpret written instructions or pre-audition information provided by auditioning body
self-management and planning skills to:
attend rehearsals punctually
maintain an appropriate standard of personal presentation in an audition context
support ensemble members where necessary
technical and problem-solving skills to use basic performance techniques and adjust them to a range of predictable situations.
Required knowledge
broad understanding of OHS principles relevant to particular performance contexts, such as:
protection of body against overuse injury
safe lifting practices
audition protocols
well-developed knowledge of:
repertoire being presented for audition
performance vocabulary and terminology
basic performance techniques.
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Audition requirements may include: | set pieces for audition, such as: performance of specific type of dance specific songs or pieces of music supplying own recorded music length of auditions presentation and dress standards purpose time venue. |
Relevant personnel may include: | teacher coach ensemble mentor other performers auditioning body representatives tutor. |
Criteria used by auditioning bodies may include: | ability to work with others accuracy of rendition clarity communication skills confidence footwork mastery of routine musical ability presentation punctuality readiness to accept direction rhythmic ability. |
Suitable responsesmay include: | acceptance of offer enquiry about audition results request for feedback letter of thanks for opportunity to audition. |
Resourcesmay include: | appropriate footwear costumes sheet music tapes or CDs props. |
Statutory requirements may relate to: | copyright duty of care permission for minors OHS. |
Relaxation techniques may include: | deep breathing light aerobic exercises, such as: meditation imagery or conscious visualisation affirmations stretching. |
Supporting materials may include: | resumes demonstration videos photographs references. |
Performance techniques may include: | audience engagement comedy routines contortions falls and tumbles juggling magic routine mime musical performance patter patterns and sequences for ensemble performance repertoire solo and ensemble protocols songs specific dance styles. |
Appropriate contact details may include: | alternative phone numbers email address fax number mobile phone number parent or guardian details times when available. |
Copy and paste from the following performance criteria to create an observation checklist for each task. When you have finished writing your assessment tool every one of these must have been addressed, preferably several times in a variety of contexts. To ensure this occurs download the assessment matrix for the unit; enter each assessment task as a column header and place check marks against each performance criteria that task addresses.
Observation Checklist